Closer to Music

Listening to the end of time: an evening of music by Olivier Messiaen

2025-09-11,  Ketvirtadienis — 19:00
  • This “Closer to the Music” evening is dedicated to the work of Olivier Messiaen. Recordings of works by this exceptional composer will be played, with short interjections by pianist Monika Palšauskaitė, a Doctor of Performing Arts, who has been researching contemporary trends in the interpretation of Messiaen's piano music. She will share her thoughts on the composer and the world of his music.

    The composer believed that music could convey not only emotion or beauty, but also a sense of being - calm, solid, uninterrupted. He wrote about time as a spiritual phenomenon and devoted most of his work to one theme - the presence of God, which he tried to express in sound.

    This evening's focus is on the Quartet for the End of Time, composed in a prisoner-of-war camp in 1941. There is neither protest nor drama in it, just a state between suffering and peace, between earthly time and something that transcends it. It is no coincidence that the work is in eight parts: seven are the days of the creation of the world and the eighth is a sign of eternity.

    In Messiaen's work, time is not measured - it is experienced. The music seems to suspend the usual flow and creates a different rhythm of being: without urgency, without end, without the desire to go somewhere. It attracts because it allows us to listen in a different way - quieter, deeper, longer.

  • Renginio trukmė: 120 min.

    Programme of the evening:

    Diptyque (1930)

    L'eau from the piece Fête des Belles Eaux (1937)

    Quatuor pour la fin du Temps (1941)

    Amen de la Création and Amen de la Consommation from the work Visions de l’Amen (1943)

    Regard de l’Esprit de joie from the cycle Vingt regards sur l’Enfant-Jésus (1944)

    ***

    Monika Palšauskaitė is a pianist who received her Doctorate in Performing Arts from the Royal Conservatoire of Scotland and the University of St Andrews in 2024, where she explored new directions in the interpretation of Olivier Messiaen's piano music. Monika performs extensively as a soloist and chamber musician, collaborates with composers and interdisciplinary artists, and combines music, text and theatre in her work.

    The language of the event is Lithuanian.

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